Whew. Whatta year, amirite?! Yes, new music may have been a bit lacking, but fortunately the one constant that remains is that there's a shit-ton of great live music coming through NYC year-round. When I moved to Williamsburg in '08, I did so almost entirely because of the proximity to so many music venues; nearly 6 years later, that remains my biggest motivation for sticking around.
In fact, my show-going affliction reached new heights this year - I did a rough count last week, and if I wind up going to the New Mastersounds afterparty following the Phish show on December 29th, I will have seen a robust *98* distinct concerts in 2013. According to Jalepzerz' / MeatBox archives, that's a personal record (although I've eclipsed 90 shows in several other years), and as proof, I uploaded literally hundreds of videos to my YouTube channel, effectively documenting my own crime spree.
So, here I sit on Christmas Eve, workin' on my final post of the year for this blog; a post that focuses solely on the highlights of my showgoing for the year. In 4 evenings, Phish NYE Run starts, and if some notable, epic shit goes down, several of these lists could be (at the very least) a bit out of whack and (at most) completely irrelevant. I welcome that. :->
See you in the new year, everyone!
Best Live Show of the Year - Phish at Hampton Coliseum, 10/20/13
Top 10 Phish shows I personally attended this year:
10.) 10/25/13 DCU 9.) 11/1/13 AC 8.) 8/4/13 BGCA 7.) 11/2/13 AC 6.) 7/6/13 SPAC (fuck off, I loved this damn show) 5.) 10/19/13 Hampton 4.) 7/14/13 Merriweather 3.) 10/27/13 Hartford 2.) 10/26/13 DCU 1.) 10/20/13 Hampton
The best three non-Phish arena shows I saw in 2013:
16.) Split Open and Melt at SPAC, July 6 15.) Rock and Roll at BGCA, August 3 14.) Crosseyed and Painless at Holmdel, July 10 13.) Twist > Under Pressure at AC, November 1 12.) Theme from the Bottom > Shaft theme at AC, November 2 11.) Drowned at Worcester, October 26 10.) Harry Hood at Merriweather 9.) Runaway Jim at BGCA, August 4 8.) Stash at Merriweather, July 14 7.) Carini at SPAC, July 6 6.) Carini at AC, October 31 5.) Golden Age at Hartford, October 27 4.) Piper > Taking Care of Business at Hampton, October 20 (yup, this is cheating) 3.) Light at Merriweather, July 14 2.) Seven Below at BGCA, August 2 (in spite of the butchered composed section) 1.) Carini at Hampton, October 18
I have trouble describing what Beak> sound like to people, but I've found a good rule of thumb is that if someone's eyes glaze over at the mere mention of "Portishead side project," then they're probably not going to be interested in this type of stuff anyway, because it's more krauty, proggy and (in most cases) less accessible than your typical Portishead musical accompaniment.
So, how to describe this set... should probably start by saying that Beak>'s sound contains hints of the following bands: Can, NEU!, Holy Fuck, Tortoise, and of course Portishead (well, sorta), and they definitely understand the dynamic advantages of loud, cutting guitar squall (Mogwai). Their strict adherence to knotty minimalism does not obscure the fact that this is highly danceable, groove-based music, and their metronomic perfection shouldn't be mistaken for lack of soul: this is the type of stuff that could easily be fed into a laptop or a sequencer, but Beak> choose to perform every note live. Good stuff.
One of the show's highlights, "Wulfstan II," featured an interruption of a few minutes while the band replaced a busted bass drum pedal - check below for video. After the equipent switch, the band went straight back into the "Wulfstan II" groove and completed the song, which was cool as fuck.
Opening the show was Chrome Canyons, who played a sort of retro / futuristic dance / electronica dealie featuring vintage synth sounds and - surprise - a theremin! I enjoyed them, and people were definitely getting down to their shit, but it's the type of thing (think: Gang Gang Dance or School of Seven Bells) where you can never really be sure how much of the music the band is actually performing live, and how much is on the laptop. I hate to overthink this, but homeboy's theremin playing was suspiciously good.
I, for one, think this was a fine year for music. I've been called out for giving out too many B+'s amongst my album grades over the last few months, but, if you think about it, it makes sense: at this point, I'm not going out of my way to listen to albums I think are going to be horrible. There are at least, what, 40-50 acts every year that are going to put out albums that I'm going to listen very closely to just based on my previous history enjoying the work of said acts; the rest of the stuff I end up hearing is based on either a (well-informed, I'd like to think) hunch or ideas from friends (usually Beafvy and Bricer). Again, it's not like I'm going around listening to the new Danielson or Grizzly Bear or Best Coast or Vivian Girls or whatever just so I can write something snarky and rubber stamp a "D-" on that garbage. Believe it or not, my time is actually worth more than that.
When 2012 was all said and done, I heard nearly 80 albums, with the final one being the EP Mogwai sneakily released this morning (spoiler alert: it's not worth spending actual money on). The majority of the albums listed below reached double digits in my play count on iTunes.
So, here's the list, unadorned by such frivolities as relevant information about the albums, cover art, or helpful links that would make it easier to locate the individual album reviews, wherever they may be on this site. [EDIT: fixed that.] I'd love to dress this post up and make it a little less bare-bones, but I'll be heading towards JFK in a few short hours, so yer on yer own.
So that's it for now, and I'll check in with y'all before Phish's upcoming 4-night run at MSG (unofficially titled "Four Bros, Four Shows"). HAPPY HOLIDAYS!
So, my goal was to post reviews for every '12 album I heard (about 80 or so) before posting year-end lists, but that ain't gonna happen, so here you have the first part of the "Jaleppies," aka my year-end best-of lists. Part 2 will probably be published Wednesday morning and will consist of the year's best albums, and Part 3 will be random stuff. Enjoy! (Or don't! I don't care! I'll be in Puerto Rico beetches!)
[Note that in a few of the entries below, two songs have been combined into one single entry. You can probably figure out why, but just in case you can't, it's because the songs run together on the album and as such they sound dumb when played apart from one another. Thank you for your patience and understanding.]
1.) Fang Island - "Asunder" (edit)
2.) Lower Dens - "Lamb"
3.) Melvins - "We Are Doomed"
4.) Lower Dens - "Brains" > "Stem"
[Note - I shot this video]
5.) Dan Friel - "Valedictorian"
6.) Tame Impala - "Feels Like We Only Go Backwards"
7.) Torche - "Kicking"
8.) Guided by Voices - "Keep It in Motion" > "Tyson's High School"
9.) The Men - "Oscillation"
10.) Dum Dum Girls - "Mine Tonight"
11.) Beach House - "Myth"
12.) Raveonettes - "Young and Cold"
13.) The Men - "Turn it Around"
14.) Melvins - "The War on Wisdom"
15.) Baroness - "Green Theme"
16.) Two Gallants - "Willie"
17.) Sleigh Bells - "Comeback Kid"
18.) Mount Carmel - "Swaggs"
19.) Pelican - "Ataraxia" > "Lathe Biosas"
20.) Fang Island - "Chompers"
21.) Tame Impala - "Music to Walk Home By"
22.) Guided by Voices - "Hangover Child"
23.) Van Halen - "She's the Woman"
24.) Six Organs of Admittance - "Even if You Knew"
Beak - >> -- Portishead dude's skeletal kraut / electronic side act. A true experiment (and success) in minimalism, >> pushes the boundaries of what constitues 'a hook' or 'catchiness.' Hypnotic, subtle and dark.
Best songs: "Wulfstan II," "Ladies Mile."
Lost Sounds - Lost Lost - Demos, Sounds, Alternate Takes & Unused Songs 1999-2004 -- There are a couple worthwhile gems here sprinkled amongst the crap, but honestly it's slim pickin's here. Also, if you're expecting the psychotic, Screamers-inspired hyperactivity of most Lost Sounds stuff, you'll probably be disappointed - these songs more closely resemble the crummy Times New Viking album tracks that are best skipped over.
Best songs: "I Get Nervous pt. 2," "Look at Me."
No Joy - Negaverse EP -- Loved their live show (see below for a couple fragments I captured when I saw them opening for Lower Dens in July) and as such I was surprised that beneath the fuzz and haze, this EP had no memorable songs on it.